Ephemeral and timeless Paintings by Noah Davis at the Hammer Museum in Westwood by Bondo Wyszpolski I was beginning to
Bondo Wyszpolski
July 2, 2025
Ephemeral and timeless Paintings by Noah Davis at the Hammer Museum in Westwood by Bondo Wyszpolski I was beginning to
Along the shoreline and into the hills A conversation with California impressionist painter Rodolfo Rivademar by Bondo Wyszpolski As far
A murder most foul! “The Tragedy of Prince Hamlet” at the Taper by Bondo Wyszpolski After an exaggerated visual and
Princely endeavors Painter Kevin Prince and the spirit of nature by Bondo Wyszpolski Halfway through his studies at Long Beach
The young man and the sea “Life of Pi” in L.A. and Costa Mesa by Bondo Wyszpolski The novel by
The tragic tale of Federico García Lorca Pools of sorrow at LA Opera’s “Ainadamar” by Bondo Wyszpolski Osvaldo Golijov’s funereal
Floor Scrapers, 1875 Gustave Caillebotte (French, 1848-1894) Oil on canvas 40 3/16 x 57 1/16 in (102 x 145 cm)
Music and Meditation “Alice Coltrane, Monument Eternal” at the Hammer by Bondo Wyszpolski Somewhat in the vein of the recent
Stephen Sondheim, a celebration “Sondheim’s ‘Old Friends’” at the Ahmanson Theatre by Bondo Wyszpolski Musical theater aficionados may never let
Visual splendor, and lots of it! No bounds to the imagination at the upcoming LA Art Show: Feb. 19-23 by
Apocalypse Now, Apocalypse Then Did Caspar David Friedrich really see into the future? A speculative inquiry, by Bondo Wyszpolski On
The long journey continues Space and place in the art of Jim Murray by Bondo Wyszpolski Among the remarkable artists
Bedtime story “Once Upon a Mattress” snuggles into the Ahmanson by Bondo Wyszpolski Based upon Hans Christian Andersen’s fairy tale,
Her Royal Highness at the Norton Simon Museum “Queen Mariana of Austria,” painted by Diego Velázquez by Bondo Wyszpolski The
“Color in Motion: Chromatic Explorations of Cinema” On view at the Academy of Motion Pictures by Bondo Wyszpolski The citywide
Galactic gals “The Empire Strips Back: A Burlesque Parody” (a review) by Bondo Wyszpolski Well, it seemed promising, and overall
