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In “I, Daniel Blake”, the most valuable parts of life cannot be monetized [MOVIE REVIEW]

Dave Johns in I, Daniel Blake. Courtesy of IFC Films
H. Nelson Tracey/cinemacy.com While many critically acclaimed movies are buoyed by their flashy craftsmanship and ostentatious use of cinematic technique (which I love nonetheless when done right), there is an equally fascinating space for the films who reject these notions. Indeed, unassuming style is a technique in and of itself, and when paired with the right mat
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Reels at the Beach

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Reels at the Beach

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