Bondo Wyszpolski

Orpheus and Eurydice: her point of view

Orpheus and Eurydice: her point of view

Farewell, my lovely World premiere “Eurydice” at LA Opera: a review by Bondo Wyszpolski Writing an opera may be a solitary endeavor, but staging it with all its bells and whistles (from lighting and set design to costuming and, of course, the right singers) is a collaborative enterprise, and “Eurydice” now at LA Opera is […]