Pushing Through the Doors of Perception – Conceptual camerawork at the Torrance Museum of Art

FOLA’s Angela Silverman and Valerie Green

It wasn’t long after the birth of photography in the 1830s that creative minds got busy. Images were being manipulated almost from the get-go, and this has only intensified with the technological advances of recent years. “Second Sight: New Representations in Photography,” which is at the Torrance Art Museum through May 14, pushes even further the notions of what a “camera” can or can’t do, and is the result still a photograph? The group show, curated by Chris Reynolds, is by turns serious and playful, with many of its young artists testing the waters of what’s possible – which, as it turns out, is quite a lot. These are some of the – admittedly conventional – images taken during the opening last Saturday.

FOLA’s Angela Silverman and Valerie Green
FOLA’s Angela Silverman and Valerie Green

 

Chris Engman with his “Work in Progress”
Chris Engman with his “Work in Progress”

 

Gina Osterloh with “Drawing for the Camera”
Gina Osterloh with “Drawing for the Camera”

 

John Hyatt with two pieces from his “My Brush with Angels” series
John Hyatt with two pieces from his “My Brush with Angels” series

 

Curators and artists Max Presneill and Sijia Chen
Curators and artists Max Presneill and Sijia Chen

 

Megan Flanders in front of “The Three Graces / Single Ladies”
Megan Flanders in front of “The Three Graces / Single Ladies”

 

Sean C. Flaherty and “Second Sight” curator Chris Reynolds
Sean C. Flaherty and “Second Sight” curator Chris Reynolds

 

Work by Soo Kim elicits curiosity and comment
Work by Soo Kim elicits curiosity and comment

 

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