The Interludes Concert Series – QUINTA ESSENTIA Brazilian Recorder Quartet

When:
November 17, 2018 @ 3:00 pm
2018-11-17T15:00:00-08:00
2018-11-17T15:15:00-08:00
Where:
First Lutheran Church & School
2900 W Carson St
Torrance, CA 90503
USA
Cost:
Free

The Artists

QUINTA ESSENTIA
Brazilian Recorder Quartet

Gustavo de Francisco        Francielle Paixão,
Pedro Ribeirão        Renata Pereira

“. . . a sound unmatched by anything heard before. It was music of the heavens, and the quartet was the angelic ensemble playing at the gates.”~ NEIU Independent

Quinta Essentia is among Brazil’s leading chamber music ensembles. The recorder consort of four brilliant musicians performs on a collection of ancient and modern instruments, inspiring audiences worldwide. Their concerts are a celebration of musical virtuosity, in programs from the great classics to the music of today.

The Program

Selections by Brazilian Composers

Daniel Wolff
Flautata Doce (2013)

Radamés Gnattali (1906-1988)
Lenda (1936)

Radamés Gnattali
Seresta No.1 – Samba (1930)

Heitor Villa-Lobos (1857-1959)
Bachianas Brasileiras No.5 – Ária (Cantilena) (1938)

Radamés Gnattali
Cantilena (1939)

Radamés Gnattali
Quarteto No.3 (1963)

Heitor Villa-Lobos
Choros No.4 (1926)

Heitor Villa-Lobos
A lenda do caboclo (1920)

Radamés Gnattali
Seresta No.2 (1932)

The Interludes
Under the Artistic Direction of Laura Schmieder, local and international artists are selected every April at the annual Beverly Hills National Auditions and presented monthly on Friday evenings on the Music by The Sea recital series in the beautiful Encinitas Library with its expansive view of the Pacific Ocean and on Saturdays on The Interludes recital series in the acoustically superb sanctuary of First Lutheran Church & School in Torrance. The artists are also presented from January through June on Sunday afternoons on Beverly Hills’ Music In The Mansion recital series in the historic Greystone Mansion.

“The series is a much-sought opportunity for young performers…the talent level is extremely high.” ~ Los Angeles Times

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