“Ice Cold in Alex,” was directed by J. Lee Thompson at the beginning of a well-earned career rise that soon
Neely Swanson
March 22, 2021
“Ice Cold in Alex,” was directed by J. Lee Thompson at the beginning of a well-earned career rise that soon
“Wojnarowicz,” the rest of whose title is unprintable but highly evocative, is a documentary about a long neglected artist. Directed
“Parlement” is a new political comedy centered in Brussels at the headquarters of the European Union. Written by an international
“Crisis,” the thoughtful film directed and written by Nicholas Jarecki, is definitely worth your consideration. Timing, as has long been
“My Beautiful Stutter,” the elegantly profound documentary directed by Ryan Gielen and written by Steve Sander, will open your eyes
“Gustav Stickley,” a reverential documentary by Herb Stratford, tracks the life and influence of an American master. Stickley, born in
“The People vs. Agent Orange” is not the first foray into this morass by co-directors Kate Taverna and Alan Adelson.
“The Orphanage,” a film by female Afghani director/writer Shahrbanoo Sadat, is enlightening in many ways. What could be a depressing
“Mr. Topaze,” a long lost film from 1961 and Peter Seller’s directorial debut was a one-off. Although maintaining a controlling
The opening moments of “Til Kingdom Come” are chilling as we watch a man set up targets outdoors and load
“The Father,” a trip down no-memory lane, started life as one of Florian Zeller’s character plays. This powerful piece focusing
“Tell Me Your Secrets,” Amazon’s new series is a juicy soap opera with criminal and mystery underpinnings that relies on
“Blithe Spirit,” the heavy handed remake of Noël Coward’s frothy bonbon is almost inexplicably awful. This will be short and
“Mafia, Inc.” is a wild, rambling, riveting ride through the mean streets of Montreal. French Canadian director, Daniel Grou goes
“Myth of a Colorblind France,” written by Jason Johnson-Spinos and Alan Govenar and directed by Govenar, is a joyful documentary
“The Mauritanian,” based partially on Guantánamo Diary by Mohamedou Ould Slahi, is to be seen, felt, and experienced. The true
