“And We Go Green” is the fascinating story of a new race for speed. Directors Fisher Stevens and Malcolm Venville
Neely Swanson
June 3, 2020
“And We Go Green” is the fascinating story of a new race for speed. Directors Fisher Stevens and Malcolm Venville
“LANCE,” is an outstanding documentary by Marina Zenovich, the award-winning director of “Roman Polanski: Wanted and Desired.” Clearly Zenovich is
“Military Wives,” directed by Peter Cattaneo of “Full Monty” fame, treads familiar, mine-strewn territory and comes out alive. The soldiers,
Two hours has rarely seemed as never-ending as “Robert the Bruce,” the film directed by Richard Gray and written by
D.W. Young set out to pay homage to the magical world of books and those who revere them in “The
“Resistance,” a film written and directed by Jonathan Jakubowicz, had a presumably interesting topic to cover, the wartime heroics of
“D. Wade: Life Unexpected” is a documentary directed, filmed, and produced about the life of Dwyane Wade by his friend
The Times of Bill Cunningham, a delightful documentary written and directed by Mark Bozek, hitherto most famous as CEO of
“Premature,” the thoughtful independent film directed by Rashaad Ernesto Green and written by Green and Zora Howard, who also plays
In a new 4K restoration by Rialto, “The White Sheik,” directed and co-written by Federico Fellini in 1952, is given
Like Mary McCarthy’s famous quote about Lillian Hellman: “Every word she writes is a lie, including ‘and’ and ‘the,’” “Three
So much can be said about “Mob Town” and none of it is good. Directed badly by Danny A. Abeckaser,
“Citizen K,” the multi-layered documentary by the masterful Alex Gibney (“Going Clear”), focuses its lens on the enigmatic and peripatetic
“Scandalous: The Untold Story of the National Enquirer,” a wonderfully conceived documentary by Mark Landsman, will really surprise you. From
“Mr. Klein,” Joseph Losey’s brilliant, multi-layered film of 1976 has been given a well-deserved rerelease by Rialto Pictures, a company
Sound of Silence,” directed by Michael Tyburski and co-written by Tyburski and Ben Nabors, was based on their short film
